Gone Girl

Gillian Flynn

2011

3.2
⚠️Content Warnings
Domestic ViolenceGraphic ViolenceSexual Abuse
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favours with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy’s diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media–as well as Amy’s fiercely doting parents–the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter–but is he really a killer?
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50%
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15 days
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Tonight’s fit

Best for readers who enjoy:  Gripping · Crime · Steady

Gripping Missouri POV: Alternating First-Person Published by Crown Publishing Group
Characters
Cheating Husband Damaged Woman
Sub-genre
Crime Mystery Suspense
Experience
Gripping Sinister Tense
Pace
Gentle Adrenaline
Balanced
Tone
Light Dark
Dark
Book length
Short Epic
Balanced
More nuance
Violence
Soft Graphic
Balanced
Romance
Background Front and centre
Background
Worldbuilding
Light touch Deep & dense
Light touch
Readability
Breezy Dense
Balanced
Humour
Serious Very funny
Serious
Target audience
Younger Adult
Adult
Gillian Flynn

Gillian Flynn

Psychology, Mystery, Crime & Detective

Gillian Schieber Flynn is an American author, screenwriter, and producer, best known for her thriller and mystery novels Sharp Objects, Dark Places, and Gone Girl. Her works have been translated into 40 languages, and by 2016, Gone Girl had sold over 15 million copies worldwide.

Books By This Author

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Reader Reviews

3.20
10 ratings
10 reviews
5 stars
2 (20%)
4 stars
2 (20%)
3 stars
3 (30%)
2 stars
2 (20%)
1 stars
1 (10%)
6 January 2026
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Loved it: Gone Girl

Gone Girl has a strong core idea — the execution mostly works. The pacing stays moving and the chapters end on good beats. A couple of sections could have been trimmed without losing anything. If you’re on the fence, try a sample — you’ll know quickly.
0
6 January 2026
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Really enjoyed: Gone Girl

I went into Gone Girl with pretty normal expectations and it surprised me. The pacing stays moving and the chapters end on good beats. Overall, I’d recommend it to the right reader.
0
6 January 2026
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Didn’t work for me: Gone Girl

I went into Gone Girl with pretty normal expectations and it surprised me. The middle drags and repeats the same tension a bit too long. Overall, I’d recommend it to the right reader.
0
6 January 2026
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Mixed feelings: Gone Girl

Mixed feelings on Gone Girl, but I can see why people love it. The pacing stays moving and the chapters end on good beats. The middle drags and repeats the same tension a bit too long. Not perfect, but it did enough to keep me turning pages.
0
6 January 2026
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Mixed feelings: Gone Girl

⚠️ Spoilers: minor plot detail mentioned below. Mixed feelings on Gone Girl, but I can see why people love it. There are a few scenes that genuinely hit emotionally. The middle drags and repeats the same tension a bit too long. There’s a specific turning point late in the book that changes the tone hard — that moment will make or break it for you. Not perfect, but it did enough to keep me turning pages.
Spoiler ahead Click to reveal this review.
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6 January 2026
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Loved it: Gone Girl

Gone Girl has a strong core idea — the execution mostly works. Characters feel distinct, and the dialogue reads naturally. Overall, I’d recommend it to the right reader.
0
6 January 2026
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Not for me: Gone Girl

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6 January 2026
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Didn’t work for me: Gone Girl

0
6 January 2026
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Mixed feelings: Gone Girl

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6 January 2026
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Really enjoyed: Gone Girl

0